May, 2009

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Books, Beans, and Candles: Open Mic

Thursday, May 7th, 2009

File this away in: “Things I Had No Clue Were Happening in Birmingham”.

My friend Tracy Watts recently revealed to me – and between poets it’s always somewhat of a confession – that he does some writing.  And that he reads some of his poetry at Books, Beans, and Candles (located in Southside just above where 20 splits).  The first Tuesday of every month is open mic night.  The shop also apparently hosts the practices of the Magick City Sirens, a group that – if they’re a going concern – I’d love to interview.

This last Tuesday, I went to see Tracy and hear some of his stuff.  I saw a “FLARF” license plate on the way over; unrelated, yarble?  In sum, I heard two guitarists, three singers, three poets, at least one drummer, some reasonable Ziggy Stardust and a stealthy acoustic version of Cake’s Meanwhile, Rick James.  Everything’s hit-or-miss, of course, but generally a good-natured good time with a notably inclusive and non-critical group.

Romantic movies often focus on the moment two people meet because audiences like to watch the sparks.  Angry fights are one thing, but I find it more enjoyable to watch constructive interactions like first kisses.  The best moments of the night came from some newfound give-and-takes.  I think it’s important for artists of any stripe – we’re so often soloists – to remember the value of collaboration.

Two girls joined forces for (I think) the first time to do Jolene.  Tracy got to try performing his work with a good drummer.  It writes as a bit cliche, maybe, but a little background music magnifies the power of almost any spoken performance.  And I’ve never watched live poetry read with drums, so not so old hat for me.  Easily the most special of the night, though, was a good performance of Jewel’s You Were Meant For Me that coaxed spontaneous singing out of pretty much every girl in the room.  Unplanned and unanticipated.  Audience members almost always make the best background singers.

Thanks to Tracy for including me, and some of his work follows:

Locust Husk

There was a locust husk
On my door frame this morning.
This empty shell seemed to stand sentry
Like some Geiger gargoyle.
In seeing it my mind split
Split into the continuum of
Then
Now
Next

As kids we used to revel in the hunt
Building small, alien armies,
Locust husks our armored soldiers.
They were our summer-time treasures
And lasted as long as the heat
Fighting our imaginary battles.
The survivors honored in the boxes
Where such childhood treasures were kept.

Now with adult eyes,
This discarded shell
This outgrown skin
Brings pause and dim remembered
Childhood delights.
Now
Now I see the sign of growth
Life which crawled forth from
A sarcophagus of it’s own creation.

What’s next for this small creature
Which emerged larger
And yet weaker for a time
Softened until the passing of
It’s own life hardens it once again
Making it stronger and ready
For more growth
Ready again for
Next
Now
Next
Having left then behind
And shaped by it.

The Hatred of Mirrors

I am filled
Overwhelmed
By
The hatred of mirrors.

The silvered surface
Shimmering moonlight
From within a pane
Of glass.

Pure silver light
And I can not hide
There is no concealment
From the mirror

It’s always there
This image
From the light
And I feel
The hatred of mirrors

The plain images
From another world
Here
Now
Solid
Real
True
And with sadness
Comes the realization
That it isn’t
Not really
A hatred of mirrors.

Music Podcasting

Wednesday, May 6th, 2009

Once again, if a blog entry is supposed to provide a reader with around five minutes of something, this must be fair game.

Here are some more rough cover songs.  I was going to do three songs from the Drive-By Truckers, but I got a little distracted by The Mountain Goats.  (I didn’t mean to pick two 3/4 DBT songs…)

Still one microphone and one track.  But this time I can’t claim that it was just one take.  Partly because I wanted to get it right-er than last time.  And partly because I just learned two of these songs today.  Remember fellow amateurs: Art doesn’t have to be particularly good to be entertaining.  (Click each to play, or right-click to download)

Outfit – Drive-By Truckers – New West Records

Going to Georgia – The Mountain Goats – Ajax

The Deeper In – Drive-By Truckers – New West Records

Still “live”.  Still only a week or so for you to do whatever and then I’ll probably take them down.  And so castles made of sand, fall in the sea, eventually.

Once again, if I get any sort of cease and desist letter, I’ll be disappointed.  I like these bands.  Go buy their records.  See their concerts.  Please don’t sue me, big mean record companies.

How to Play Tichu

Tuesday, May 5th, 2009

My friend, John Marc Green, called me early Friday morning and asked if I could help him with a project.  John Marc is a contract videographer.  He owns cool, high-tech video equipment.  He’s good at what he does.  I was sleepy, so I said yes.  I immediately wished I could take it back.

If doing art is supposed to scare the hell out of you a little, this did.  It’s the first time I can ever remember agreeing to be in front of a camera.  John Marc did all the production work; I’m just the actor.  My pay was some Friday Chicken from Taziki’s.  I don’t think I’m awful, but I’m still awfully uncomfortable watching myself on playback.  Enjoy.  Be kind.

How To Play Tichu from John Green on Vimeo.

Muse of Fire: Rainout

Monday, May 4th, 2009

Sometimes the show you see isn’t the one you meant to see.

It was pouring down rain on Sunday when I left the house to see the Muse of Fire production of the Bard’s Midsummer Night’s Dream.  The Muse website assured me that the show would go on.  Even with an umbrella, I was thoroughly wet between crossing from my truck to the covered “auditorium”.  But the venue is really just a fifty foot high metal roof on stilts.  With open sides.  Good light, good crossbreezes, but lots of rain.

At T minus five minutes, the chairs were set, but the audience was huddled near the right side of the building, away from the angry rain blowing in from the other side.    The actors – almost fully costumed – were excitedly swarming around behind the audience, taking shelter just like normal people, not like Shakespearean fairies or goddesses at all.  It’s unusual to get to watch all the backstage effervescence play out in front of the audience.  I don’t think there was a chair without rain in it and more kept falling from holes in the roof.

We were finally warned by Artistic Director Elizabeth Hunter that it was unlikely that the weather would let them perform the full show, but that they were going to do as much as possible.  Even it meant being forced to forego the lights or sound.  Sure enough, the inclement conditions cut us off after three scenes.

Gratefully, those three scenes were very cool.  We met Helena and Hermia, Lysander and Demetrius – the human, love-story performers – while they cavorted among the audience.  We got to see the “rude mechanical” cast of Pyramus and Thisbe – many of the performers of the Extemporaneous Theatre Company – make an entrance in their herky-jerky improv-mobile.  And, finally, we started to meet Puck and the other fey folk.  The best moment of the performance may have been Peaseblossom saying, “Farewell, fair spirits!” but being interrupted after “farewell” by a huge clap of thunder, which reverberated around the exposed, metal building for a solid fifteen seconds.  No other production of “Dream” ever had that.  Puck’s fault, for sure.

I was disappointed not to get to see the show, but you just can’t control the weather.  The production team seemed to do everything in their power, including using good sport Alan Hunter to awkwardly bebop his way down the center aisle holding a boombox for Oberon’s grand entrance.  My only squabble would be that I’d hope that someone declares the rain vouchers good for any other performance.  Even though the program advertises future shows on June 20, June 27-28, and September 2009, the vouchers are only good for an unnamed show a year from now in the spring of 2010.

Thanks again to Elizabeth Hunter and the Muse of Fire team for doing everything they could to try and let us see the performance.