June, 2009

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Homegrown Music Review – Part 1

Tuesday, June 30th, 2009

13ghosts

I wrote an earlier blog entry where I listed a mess of Birmingham musicians that I was planning to check into.  I’ve looked at the first grouping of them.  Here are my recommendations of what you should go listen to, if you’re curious about on-the-rise music, but don’t have time to listen to anything and everything that’s out there.

I’ve got five basic classifications for music:

  • 5 – Play it again, over and over.
  • 4 – Worth following, and finding further music.
  • 3 – Very listenable, wouldn’t hit the skip button.
  • 2 – Might skip it.
  • 1 – Unlistenable.
Taylor Hollingsworth

Taylor Hollingsworth

It’s just my own opinion, of course, but I’ve listed these bands in order.  I’ve also listed the primary songs I recommend you check out, along with the number of total plays on their Myspace pages, just so you’ll have some gauge of relative newness or popularity, perhaps.

  • 13ghosts – (60000+ plays)  Rates somewhere over a 4.  Heard very little I didn’t like.  Listen to “Photographs” on Myspace.  Other songs available on Tapestry.
  • Taylor Hollingsworth – (117000+ plays)  Hovers around a 4.  Some tunes are particularly excellent.  Listen to “Damn Boy What’s Wrong With You” and “Bonnie and Clyde” on Myspace.  More on Tapestry.
  • Duquette Johnston & the Rebel Kings – (49000+ plays) Probably slightly under a 4, overall, but varies widely down and up.  When they nail it, they nail it.  Listen to “Oh 19″ and “Babies and Diamonds” on Myspace.
  • Through the Sparks – (39000+ plays) Generally 3 1/2 -ish.  Listen to “The Final If and When” and “Ruby Tuesday” on Myspace.  More on Tapestry.
  • Chad Fisher Group – (42000+ plays) Also 3 1/2 -ish, though this might be influenced by my own musical preferences, because the Chad Fisher Group is instrumental with horns.  Clearly excellent musicianship.  Listen to “House of the Rising Sun” on Myspace.  More on Tapestry.

More recommmendations on bands as I get time to listen to them.  If you know of a Birmingham band I should hear, let me know.

Lockhart’s Lament

Thursday, June 25th, 2009

[T]here is nothing as dreamy and poetic, nothing as radical, subversive, and psychedelic, as mathematics….  Mathematics is the purest of the arts, as well as the most misunderstood.” -Paul Lockhart

Way back in school, I was probably classified as “good at math”.  But I distinctly remember – once I got to college – loudly protesting against embarking on a math-y career.  Between the ages of 18 and 21, I shifted from wanting to be a physics professor, to declaring myself an engineering major, to changing my major to philosophy.  I think in large part because of the warp in focus somewhere betwixt my mostly-excellent high school math classes and then my cattle-call math and engineering classes in college, they robbed all the fun out of mathematical problem-solving.  Math is, and should be, a creative process.

Many a graduate student has come to grief when they discover, after a decade of being told they were ‘good at math,’ that in fact they have no real mathematical talent and are just very good at following directions.  Math is not about following directions, it’s about making new directions.

My older brother, J-Dog, recently sent me a great article – Lockhart’s Lament – written by Paul Lockhart and republished by Keith Devlin of Stanford.  (More information about these people can be found here.)  It’s a piece on mathematics education which bemoans the way its’ teaching kills creativity.  This well-written article has many parallels to the arts, arts education, and creativity, so I can enthusiastically recommend it and try to re-link it for your enjoyment:

Read Lockhart’s Lament at this link.

Painting on Glass

Wednesday, June 24th, 2009

It’s probably too hot to be outdoors, so there don’t seem to be a lot of events in Birmingham at the moment.  I’m staying in, too, and getting some stuff done.

Quite a while back, I found a stack of glass panes at a garage sale for free.  And anyone who knows me knows how much I like free stuff.  So I took them, thinking I’d eventually try and paint on them.

My first attempt failed miserably, thanks to a superball and a playful cat.  I’m much more happy with this attempt.

In preparation for using them, I went and took a bunch of pictures of trees, from under them, pointing straight up.  They’re interesting that way.

After I finished painting on one side of the glass, I was completely unsure how to hang it.  The last piece of glass I leaned up against something quickly fell prey to the aforementioned superball/cat combination.  The nice folks at Alabama Art Supply recommended I call the nice folks at Jingers Stained Glass.  Based on that conversation – and then another conversation with a blue-eyed girl at Michael’s – I glued some rings to the glass for hanging.  After waiting a little while for the glue to cure, I threaded that green ribbon through it.  (I might pick another color of ribbon, if I was going to hang it permanently, but the colors of ribbon I have handy around the house are significantly limited….)

I think it looks great in front of a window, too.  Especially if you lived somewhere more urban and less green.  But all my winderrs point out onto something green right now, so my house maybe doesn’t provide the best example.  The window pointing out onto my storage shed was the best I could do.  Maybe best in a small window, facing a brick wall, somewhere on Southside?  Or maybe a bleak dorm room or apartment on a campus somewhere?

The last two pictures provide an interesting contrast and are a good example of why painting on the glass may stay interesting for the future.  The first is taken with a flash; the second is without.  And I think the tree takes on a different character depending on the light.  So it changes with the status of the lights in the room.  Very cool.

I just hope those metal rings hold tight.  I already picked up shattered glass once.  The cat and the superball, remember?  Darn cat.

Unnamed Computer-Age Impressionism – Redux

Tuesday, June 23rd, 2009

Okay, yeah, so someone contacted me and said the recently “finished” Computer-Age Impressionism painting looked like:

…sunset at the beach…There is a rock out further in the water over the beachy hill. Closer there is a random rock formation..out of the picture there are mountains surrounding this beach which is not a public sort of place but something you just stumble upon and walk on. Not a beach where ppl are out tanning and building sandcastles. Not here because the mountains have it secluded.

Yeah.  Thanks a lot…  So then I saw it like that too.  And it needed a hint of water.  And I’m an incorrigible tinkerer.  So I “fixed” it.  More work for me….  Why can’t I leave well enough alone?  But I don’t mind as long as it’s getting better.  If it’s still at my house, it’s hard to stop messing around with it.  What do we think now?  More interesting?  Less good?  Thanks for the feedback!

One of the hardest things with any piece of art is when to decide it’s finished – whatever that means.

The Homegrown Music Stage

Monday, June 22nd, 2009

When I started Birmingham Verse, one point was to make sure and scout out Birmingham’s emerging artists.  What I learned is that, if you’re not trying very hard to follow what’s going on in music, it can be difficult to get a handle on.  That’s doubly true for music brewing in your own city.  At 33, I think I’m startlingly out of the loop.  Not that I was ever too in the loop, maybe.

So I wrote to Greg Summerlin with Superphonic Records, Travis Morgan with Skybucket Records, and David Seale with Warning Track Records.  They were very nice and suggested lists of bands I should check out.  Between them, they also recommended I go check out bham.fm for more information.  Did you know we had record companies in Birmingham?  I didn’t.  Another good source may be the Tapestry archives.

I don’t really know how to start, but I think the plan would be to get my hands on music from the artists that these guys recommended.  And then listen to it, so you don’t have to spend all that time, and then list what I think is worthwhile to check out.  It’s not worth anybody’s time to “feature” artists, regardless of what I think about the quality of their music.  Instead. I think it’s important to make an effort to figure out what’s good, so I can help spread the word.

Artists I’m planning to look at, so far:

If you know anything else that I should watch for, let me know.