July, 2009

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The Great Wrong Way – Part 2

Monday, July 27th, 2009

So I sang some chick songs the other day in honor of the Birmingham Festival Theatre’s “Great Wrong Way” production.  My friend Natalie – from the earlier painting swap – got together with me on Saturday and we downed a bottle of wine and completed the other half of this ultra-visionary project.  Here she is, singing some dude songs.  Still one microphone and one track.  Mostly recorded in my hallway.

Again, it don’t gotta be particularly good to have had a blast doing it.  This is way more fun than playing Rock Band by yourself.  But I think we did a pretty decent job for a quick recording.  (Click each to play, or right-click to download)

You Shook Me – AC/DC

Creep – Radiohead

There She Goes – The La’s

Still “live”.  Still only available temporarily and then I’ll probably take them down.  So castles made of sand, fall in the sea, eventually.  Go outlay some capital on these bands.  Big mean record companies, please don’t sue Natalie.

The Great Wrong Way

Thursday, July 23rd, 2009

The Birmingham Festival Theatre recently held a fundraiser called “The Great Wrong Way” where they performed Broadway favorites for the audience.  The special trick was that each standard had to be performed by the wrong gender.  Neat idea.  You can see a full passel of pictures from the show here.

I didn’t get a chance to make it to this particular show, but it inspired me just the same.  I’m always laughing to myself about how I’ve learned a lot of songs over the years that were originally written and performed by girls.  Some are easy to translate to my own voice and it doesn’t really matter who sings them, but some of them – lots of Liz Phair maybe – would be uncomfortable for a straight guy to sing for an audience.

So here are three more rough cover songs, but I intentionally picked kind-of iconic chick songs (and a Chick song), covered by yours truly.  Still one microphone and one track.  If they all sound a little different, you’ve got good ears, and I’m experimenting with recording in different rooms in my house and microphone placements.  And a reminder to fellow amateurs: Art doesn’t have to be particularly good to be entertaining.  (Click each to play, or right-click to download)

Vacation – the Go-Go’s – I.R.S. Records

Galileo – Indigo Girls – Epic Records

Not Ready to Make Nice – Dixie Chicks – Columbia Records

Still “live”.  Still only available temporarily for you to do whatever and then I’ll probably take them down.  And so castles made of sand, fall in the sea, eventually.

Go spend some money on these bands.  See concerts; buy t-shirts.  Big mean record companies: don’t sue me, please.

Homegrown Music Review – Part 3

Tuesday, July 21st, 2009
Teen Getaway

Teen Getaway

There’s an earlier blog entry where I listed Birmingham musicians that I was planning to check into.  I’ve looked at two groups of them here and here.  This is the third grouping – and the last one – until I find some other Birmingham bands to check out.

I’ve got five basic classes for music:

  • 5 – Play it again, over and over.
  • 4 – Worth following, and finding further music.
  • 3 – Very listenable, wouldn’t hit the skip button.
  • 2 – Might skip it.
  • 1 – Unlistenable.
The Great Book of John

The Great Book of John

One guy’s opinion is just one guy’s opinion, but I’ve listed them in order.  I’ve also listed the primary songs I recommend you check out, along with a gist of total plays on their Myspace pages.

  • Teen Getaway – (10000+ plays)  Could do without the “Balls” song, but’s the rest of it’s gotta be over a 4 somewhere.  Some is great.  Find “3 Car Garage”, “Cure”, and “Tied Down” on Myspace.
  • The Great Book of John – (54000+ plays)  Swings around either side of about a 4.  Listen to “Political Song” and “Wiseblood” on Myspace.  Also listen to “All the Windows in Your Home are Busted Out” in the Tapestry archives.  More of their Tapestry music here.
  • The Triceratops – (19000+ plays)  Slightly under a 4, but it’s got an asterisk, because I’m guessing about the future quality of studio versions of these songs; it’s almost all live right now.  Listen to “Graves (live)” and “Red Bone” on Myspace.
  • The Green Seed – (3000+ plays)  The bulk of the work averages out to about 3 3/4, but “Cinematic” on Myspace might be the first song in this quest that blew me away.  Also listen to “Hip Hop Reality Show”.
  • Slow Masters – (3000+ plays)  Another band I’d want to hear more from and consistently somewhere around a 3 3/4.  Listen to “Crosshairs” and “Chinese Horror Film” on Myspace.  More music on Tapestry.

Let me know about other Birmingham artists – encourage, encourage, encourage!

Homegrown Music Review – Part 2

Tuesday, July 14th, 2009
Dexateens

Dexateens

I wrote an earlier blog entry where I listed a smorgasbord-enheeben of Birmingham musicians that I was planning to check into.  I’ve looked at the first grouping of them in another entry.  This is the second grouping.

I’ve got five basic classifications for music:

  • 5 – Play it again, over and over.
  • 4 – Worth following, and finding further music.
  • 3 – Very listenable, wouldn’t hit the skip button.
  • 2 – Might skip it.
  • 1 – Unlistenable.
AA Bondy

AA Bondy

It’s only one guy’s opinion, but I’ve listed these bands in order.  I’ve also listed the primary songs I recommend you check out, along with a gist of total plays on their Myspace pages.

  • Dexateens – (162000+ plays)  Everything rates right around a 4.  Listen to “Down Low”, “Neil Armstrong”, and “Naked Ground” on Myspace.
  • AA Bondy – (433000+ plays)  Generally slightly under a 4.  Listen to “when the devil’s loose” on Myspace.
  • Photonicas – (29000+ plays)  Just greater than 3.5 or so overall , but often creeps up into the early 4’s.  Listen to “Let it Go” and “Comfortable” on Myspace.  More songs on Tapestry – try “Losing It”.
  • The Bridges – (647000+ plays)  Balanced right in that area just north of highly listenable and just south of something I’d be curious to hear more of.  Which is  right around a 3 1/2, I guess.  Already slick, pretty, and radio friendly.  Listen to “Pieces” and “All the Words” on Myspace.  More songs also available on Tapestry.

More recommmendations to come.  Still, if you know of any other Birmingham artist I should hear, let me know.

Arova Contemporary Ballet Competition

Thursday, July 9th, 2009

I just thought this was such a cool idea, that I had to share.

Birmingham’s Arova Contemporary Ballet – see my earlier piece here – is having a choreography competition.

The tagline is “Please Turn Your Cell Phones On and Enjoy the Show”.  Which reflects the dance company’s unusual choice to “embrace public display of technology”.

The new season of Arova will begin with shows in October and invites the audience to bring along cell phones – and use them at the show.  The show will represent the finals of a choreography competition where the audience will participate in the judging by texting their votes during intermission.  Cool, huh?

Since the winners can’t be announced until the final performance on October 4th, current scores will be announced online so that past audience members can stay tuned.  The winning choreographer will be awarded $500 and a contract with Arova for 2010.  The second-place award is $200 and an Audience Choice Award winner will receive $100.

Just as cool, the competing aspiring choreographers will be selected via YouTube video links on Arova’s website.  From August 1 through August 15, dance enthusiasts and the rest of the unwashed masses will be able to watch videos from the contestants and rate those entries.  See the Arova website for further details on how to enter the competition.  If I did my best Chris Farley/Michael Stipe, would they put it up?

The Arova shows will be October 2-4 at the Virginia Samford Theatre.

Why don’t other arts organizations incorporate this cool idea? Give your audience members a number to text reviews, comments, ideas, etc, during or after the show?  If you want a connection with younger audiences, I think this may be a way to go.  The Extemporaneous Theatre Company is an obvious choice to use this idea, since they’re always soliciting direct feedback from the audience.  But I don’t know why theatres wouldn’t do this with plays.  Or even groups like the Alabama Ballet or the ASO.  The audiences would like the feeling of connection and the organizations, I’d bet, would enjoy the feedback – even if it’s sometimes just a mishmash of LOLz and mischief.  Mischief is fun.