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Armistice Day

Wednesday, November 11th, 2009

From the 1973 Breakfast of Champions by Kurt Vonnegut:

“I will come to a time in my backwards trip when November eleventh, accidentally my birthday, was a sacred day called Armistice Day.  When I was a boy . . . all the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month.

“It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another.  I have talked to old men who were on battlefields during that minute.  They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.

“Armistice Day has become Veterans’ Day.  Armistice Day was sacred. Veterans’ day is not.

“So I will throw Veterans’ Day over my shoulder.  Armistice Day I will keep.  I don’t want to throw away any sacred things.”

America’s Next Great Pundit

Thursday, October 22nd, 2009

The Washington Post is holding a competition, looking for “America’s Next Great Pundit”.  I entered it yesterday and thought I’d share my piece.  Fingers crossed.

In America, You Can’t Hit the Quarterback

Two of the National Football League’s most compelling stories are connected.  First, many have suggested that football’s repetitively violent collisions may lead to increased rates of dementia or other disabilities.  It’s easy to show steady growth in player mass and velocity; it follows mathematically that the force of each impact has also grown.  Second, the NFL has regularly expanded protections for one particular group of players: quarterbacks.  A simple on-the-field “roughing the passer” penalty has morphed into a complex and unpredictable off-the-field system of monetary fines for impermissibly touching a quarterback.

A causal link snaps tight in considering the timing of these stories.  The public is becoming aware of long-term effects of football on the human body.  It’s not hard to imagine that the players have at least intuitively known about these possible consequences.  It’s also easy to speculate that informed players have already lobbied the NFL for additional safeguards.

Why, though, would the league single out only one type of player for protection from the game’s unforgiving nature?  Maybe because the position is undeniably the most glamorous, high-profile, and marketable.  Quarterbacks are often paid more than teammates, especially if you consider endorsements and commercial opportunities.  They’re often considered to be smarter.  They’re often white.  The quarterback is an institution; other players are grist for the mill.

The true connection jumps out in viewing these stories against the grander game of capitalism and high finance – a game also widely accepted as being violent and unforgiving.  The nickel version of the current meltdown always comes back to a story of major financial players operating at least recklessly and our industry regulators acting at least negligently.  Millions of Americans have lost careers, forfeited homes, and slipped a standard of living.  Even in the wake of these cataclysmic events, it seems like there has been no significant impact for those quarterbacks of capitalism.  They’re somehow insulated from the dangers of playing.

Most of us are not so lucky.  We have a view from somewhere deep in the trenches.  We’re the linemen of the market, colliding every day, and fail to fully understand or contemplate the trend towards special treatment for our fellow players.  For a nation founded on equality, it’s disturbing that we could so easily accept a class of people exempted from the rules.

Sanspointe Dance Company: Dances Fall

Friday, October 9th, 2009

This makes two times I’ve seen the Sanspointe Dance Company and meant to write a more traditional piece, yet been inspired to bounce off in a different direction.  Which makes me wonder if they’re doing something over there that may be the creative equivalent of a whack on the side of the head.

Maybe watching modern dance can be healing or otherwise good for you.  Or making a point to see something that you’re not accustomed to seeing.  Coming in contact with other people’s creativity and using it to propel or rebound yourself in new directions.  Or maybe, it’s something particular about the Sanspointe shows that sends me to unexpected, new places.

Y’all, I enjoyed just about all of the performance – especially the intense catfighting, the zombie farmgirls, your begloved and armored Stepford socialites, and your use of live music from Abram and Sarah.

Language Fails

O Dancers,
How your life must feel different
From mine.
Daily opportunities to stretch
The muscles and boundaries
Of the body,
While I’m mostly planted
In the language,
Almost motionless,
Just tapping my feet or
Puttering through my thesaurus.
Is there any parallel in movement
To the way someone just
Tinkers with words?

You must think so differently
From me.
Do you see snippets
Of motion and movement
Everywhere,
Like I listen
Everywhere
For compelling words and phrases?
Creativity, for me,
Seems connected to my tongue and
I talk it out or
Communicate it out with someone,
Listening to myself speak
To mine any gems
From the waterfall and mostly
Blah-blah whatevers
Of whatever I’ve said.

Does a dancer’s creativity sprout
From attentiveness
To her own moves?
Do you sometimes stand up from a chair,
Or trip over one,
And think to yourself,
“Oh, that might be really . . .”
What would you even say?
“poignant”? “graceful”? “beautiful”?
Something imperfect like “good”?
Language fails.
Can you barely resist
Your internal need to move when,
For some reason,
You’re forced to stay still,
Like a drummer
Who can’t help himself
From fiddling around
Once he’s handed some sticks,
Or like I habitually strum
When I pick up my guitar?

I imagine dancers as
Rarely truly at rest or
At least, they stay
Cattishly aware
Of hands, feet, and positioning
In the same way
You’ll rarely catch me using words
Anywhere whatsoever
That weren’t scrutinized and edited
Two, three, or more times.
Could I capture
Even an inkling
Of what it’s like to
Exist in your world
If I keep trying
To write about how you
jUMP!,
sliiiiiiiiiiiiiiiiiide,
and spi\I/i\I/i\I/in?

Thanks to Shellie Chambers and Sanspointe for having me out and being genuinely and uniquely inspiring and fun.

Poetry: Float Away

Friday, August 14th, 2009

We’ve hit the stretch of the Alabama summer and my creativity has been forced to take a back seat to real-world considerations.  Plus, I haven’t found a lot of art-stuff happening in Birmingham that I’m dying to go to.  Here’s something to hold me over ’til a meal with bigger portions:

Float Away

I once painted
My idea of space:
Pinpoint stars
On a black canvas.

If you believe in
An infinite universe
With endless lights,
It’s no big leap
That there has to be,
Somewhere,
A place
You might float to
And see the exact view
I created.

But if you can’t commit
To ‘verses with
No boundaries,
The screaming improbability of
Our own view,
Is equally boggling.

Some ordinary days
Make me want to
Float somewhere and scream.

Poetry: Kitkats from Japan

Tuesday, June 9th, 2009

KitKats from Japan
(for Carmel)

If your friend visits Japan
And you warn her
That the long flight and
The jet lag and
The language barrier
Makes the trip
Not seem worth it,

Yet she brings back
Five different varieties of
KitKats
(Five!)
And mails them,
First class,
From Washington to Birmingham,

So they arrive
A little homesick,
Feverish, bruised, and melted,
Misshapen and malformed,
With their crunchy centers
Hugging each other tight
And shifted in the packaging,

You won’t know
Whether to cite
Their stressed condition
And obvious out-of-place-ness
As an easy metaphor
For why that uphill trip
Couldn’t possibly be worth it,

Or whether
Five different flavors of KitKats
(Five!)
Including apple vinegar
And green tea,
Strongly justify
Her trip.

But I know you’d be clueless
About how two of them will taste
Because you don’t read Japanese
(You can’t just google it, you know)
And you’d wonder if
You’re man enough
To eat the apple vinegar.