Paul W. Greene and the Northern District of Alabama

Written by Daniel on August 22nd, 2011

I try to keep non-arts posts to a minimum, so if you’re only interested in the artsy stuff, feel free to skip on past this one.

On the other hand, I think Pablo Picasso was memorably right: “Art is not made to decorate rooms.  It is an offensive and defensive weapon against the enemy.”  Painting, theatre, music, dance, and writing aren’t just superficial or idle pursuits.  They serve a critical purpose.

Ideas are powerful.  And the arts can be a sword or shield.  Even lightly practicing a craft can be preparation for when you’ll really need it.  It helps hone an appreciation of or resistance to attempts to influence you.  I find that a key use of art – even in very subtle ways – is to delineate or define the “good guys” and the “bad guys”.

With that background, I recently combined my lawyer/artist roles to write the following letter.  If you’re interested in a glimpse of my non-arts life, here you go.  I just put this in the mail about the potential reappointment of Paul W. Greene to the position of United States Magistrate Judge over at our federal courthouse.  (If it’s easier to read, here’s a PDF link)

***

Ms. Sharon N. Harris, Clerk of Court
United States District Court
Northern District of Alabama
1729 5th Avenue North
Birmingham, AL 35203

Republished at: http://www.birminghamverse.com

Ms. Harris:

I am writing about the potential reappointment of Paul W. Greene to the position of Magistrate Judge for the United States District Court for the Northern District of Alabama.  As you will remember, I was hired and employed twice by the Northern District in two different attorney roles.  Prior to my work at your court, I served as a judicial clerk at both the Western District of Tennessee and the United States Court of Federal Claims.  Throughout my federal court employment, I frequently received remarkable compliments about my performance.  I enjoyed serving my country and each court recommended me to the next.  I worked directly with Mr. Greene during my time at the Northern District and I’ve also had professional reasons to interact with and observe him from roles outside the court.

I understand that any particular person can only approach or understand an elephant from his own particular viewpoint, but my experience may offer a unique perspective to explain why Mr. Greene would be a poor choice to reappoint as a Magistrate Judge.  It is my opinion that he is a dim, biased, and unsophisticated thinker; an incompetent supervisor; a foolishly consistent man of dishonest and vengeful character; a reckless and unethical public servant; and a potentially felonious perjurer.  Paraphrasing regulation § 420.10.10(c), Mr. Greene is not competent, lacks good moral character, lacks commitment to equal justice under the law, and is not emotionally stable, patient, courteous, or mature.  Given that other competent attorneys would currently be available, the Northern District could and should find someone better.

I have a low opinion of Mr. Greene’s capacity as a thinker and jurist.  My experience with him from both inside and outside the court would indicate that he is frequently ignorant of the law, though he acts arrogantly as if he was omniscient or infallible.  I do not believe he comprehends or understands sophisticated legal arguments.  This lack of facility, however, does not appear to stop Mr. Greene from exhibiting hostility towards individuals as litigants and I believe he is typically prejudiced against them.  Further, as sloppy writing is often a symptom of sloppy thinking, Mr. Greene’s judicial writing can be full of typographical or stylistic errors.  And though a working knowledge of computer research, drafting, and communication may be essential requirements for the 21st century, I have some reason to believe that Mr. Greene may not be functionally computer literate.

Mr. Greene’s arrogant demeanor made him a poor supervisor.  I observed him being mostly cold and dictatorial to court employees.  He often does not bother to learn or remember employee names.  This was only one way he expressed a surprisingly poor attitude towards federal attorneys.  On the record, I’m sure Mr. Greene would reiterate the conventional view that judges expect law clerks and other court attorneys to exercise good and independent judgment.  Behind the scenes, however, Mr. Greene (and other judges) routinely demeaned the responsibilities and expertise of these highly-educated and high-functioning professionals.  Corrupt officials like Mr. Greene tend to view the courthouse as their own personal playground – rather than a place dedicated to serving the public – and think that subordinate attorneys are “just here to do what we tell you to do.”  This warped and selfish view overlooks the broad and independent obligations of government attorneys to both the legal profession and the American people.

His one-sided and uncooperative nature made Mr. Greene virtually unapproachable with regard to any discussion of court business.  My experience was that he expected any court employee without a black robe to stay quiet and out of his way.  In the recent past, Mr. Greene’s practice has been to reflexively and recklessly terminate employees who voiced conflicting interpretations with regard to the law or important court matters, even when those employees might be hired specifically for their expertise or opinions.  Rather than promoting or encouraging forward-looking discussions about court business, Mr. Greene would rather cull his playground of anyone who will not submit to his personal views.  Those who are accustomed to near total dominance of articulate opinion often feel that the world is coming to an end if their control is threatened or weakened ever so slightly, reacting in the manner of an overindulged child who is chided for the first time.  My opinion is that Mr. Greene has come to view the Northern District courthouse as his – and other employees better not forget it.  This view is unacceptable under our democratic system.

Even the United States Supreme Court has sensibly advised that public employers should, as a matter of good judgment, be receptive to constructive criticism.  Dissent is not always a personal challenge and criticism is usually an organization’s friend.  For example, my criticism of Mr. Greene in this letter represents my attempt to improve the Northern District.  Juvenile bullies like Mr. Greene who intentionally or recklessly discourage the free discussion of ideas have a chilling effect on the speech and counsel of government employees.  Mr. Greene’s outdated, Old Testament approach engenders a constant fear of capricious retaliation.  I know from experience that this fear regularly discourages government workers from giving candid advice and assistance.  I would not be surprised to find that other court personnel have had similar, negative experiences – or could corroborate my experiences – but are deterred from speaking by a real apprehension of endangering their jobs or careers by irritating Mr. Greene or other judges at the Northern District.  I suppose leadership at one time meant muscles, but today it means getting along with people.  This is not an appropriate way to run our government.

Also during my tenure at the Northern District, Mr. Greene (and other judges) implemented a self-serving and unethical policy towards death penalty cases.  I was told multiple times that the Northern District had made a conscious and intentional decision to delay its review and publication of death penalty opinions for the sole purpose of increasing its reported number of active cases.  This practice artificially inflated the Northern District’s budgetary “requirements” for staffing and resources.  On at least one occasion, a Magistrate Judge specifically ignored my finished death penalty drafts and told me to slow down my work on those opinions.  I still find it repulsive and corrupt that any group of judges would keep an incarcerated citizen waiting months longer than necessary – or would force the state of Alabama to postpone justice – all so the Northern District could score additional funding or play games with its budget.

The Code of Conduct for federal judges requires these officials to observe only the highest standards of integrity and honor.  Judges are called upon to set a high bar for honesty as they act as one of the primary defenders of truth within our system.  Based on my time with the Northern District, I believe that Mr. Greene has been fundamentally – and possibly criminally – dishonest.  There is reason to believe that Mr. Greene intentionally made material statements to government officials which were misleading, misrepresentations, or outright false.  By repeating some of these statements in the form of a sworn declaration (2:09-cv-700), he may have compounded the problem and committed criminal perjury.

I wrote a November 2009 letter to Chief District Judge Sharon L. Blackburn which explained this issue in further detail and asked her to take action on behalf of the District Court.  She did nothing about it.  I then personally visited the Federal Bureau of Investigation and reported this as a potentially criminal matter.  I spoke with an agent and compared the statements Mr. Greene had made with the documents that would indicate that he had lied under oath.  The agent led me to understand that he believed that Mr. Greene may have committed criminal perjury.  Very pointedly, however, he told me that – for political reasons – there was almost no way the FBI would investigate or prosecute a sitting federal judge.

To this day, this reaction shocks my conscience.  Federal officials are not exempted from the rule of law.  If anything, they should be subject to higher standards and more accountability.  Instead, every supervisory authority provided disingenuous reasons why they would do nothing.  This pretense of oversight is a truly frightening illusion.  But the truth is the truth, even if you are a minority of one.  For that reason, even in the absence of any formal investigation and prosecution, my opinion of Mr. Greene is that he is fundamentally dishonest and probably a criminal perjurer.  Even without a conviction, this taint should raise questions which should disqualify him from reappointment as a Magistrate Judge.  He is not competent to adjudicate the honesty or credibility of others.

It is my understanding that Judge Blackburn and the judges of the Northern District cooperatively made the decision to submit Mr. Greene’s name for reappointment.  I find this decision baffling, considering that I’d already made Northern District officials aware of Mr. Greene’s problematic, unethical, and potentially criminal behavior.  It does not reflect well on either Judge Blackburn’s leadership or our judiciary as a whole that they would either cover up or ignore these issues.  The judges of the Northern District have repeatedly demonstrated that they are inflexibly determined to circle the wagons and lash out against any perceived attack on one of their brethren, rather than acting to assess the situation with proper administrative objectivity or with proper regard to ensuring the integrity of the judiciary and serving citizens.  It should come as no surprise that judges treat judges much more fairly than they treat other people.  Orwell was right: Some animals are more equal than others.

This reappointment also appears unimaginative and inequitable.  So far as I know, there are spots for five Magistrate Judges in the Northern District.  Reappointing Mr. Greene to this position would continue a possibly unbroken tradition of empanelling five old, white men.  Not just five old, white men, but the same five old, white men.  Alabama is over 50% female, over 25% non-Caucasian, and our median age is around 35.  It’s 2011.  The time has long passed to start promoting and considering candidates who are female, non-Caucasian, and/or under 40.  Although the District Judges (if judges with senior status aren’t included) are a somewhat satisfactory reflection of Alabama demographics, this group of Magistrate Judges look like they stepped right out of Birmingham’s Bull Connor era.  The lack of ability to imagine any citizen in these positions other than those who look like Mr. Greene may represent the most insidious kind of glass ceiling discrimination.

This decision to re-nominate Mr. Greene calls into serious question the Northern District’s commitment to diversity and to behaving like an Equal Opportunity Employer.  It also reveals a certain institutional blindness and a troubling drift in philosophy, especially given this particular district’s important flagship role with regard to discrimination and race relations.  When our nation considers difficult problems of race and diversity, it often cites to Birmingham.  And what would commentators, journalists, and historians find in 21st century Birmingham?  They find that our federal judges still prefer that their discrimination and criminal cases be handled by five old, white men.  One of the most durable and destructive legacies of discrimination is the way we’ve internalized a sense of limitation; so many in our community have come to expect so little from the world and from themselves.  I’m embarrassed by this kind of narrow-mindedness.

I intend to spend the next thirty years helping to lead America forward.  Reactionary forces surrounding the baby boom generation have rotted our country, its institutions, its economy, and our court system.  Like Howard Zinn, my experience is that if you’re not part of the old, white establishment, they will hate you and want you to fail.  I believe I speak for many or most of my generation when I say that we disagree with virtually everything about Mr. Greene’s philosophy and attitude – and we represent the future.  Experience alone is not a trustworthy panacea.  Neither does an error become truth by reason of multiplied propagation.  We the people hold in our hands the power to choose our leaders, control our laws, and shape our own destiny.  We can’t afford to stand pat while the world races by.  We can’t meet the challenges of today with old habits and stale thinking.  America became successful because each time a new generation of Americans has faced a changing future and a changing world, we have acted to shape it.  This reappointment would not facilitate progress – it would guarantee more of the same.

I have serious concerns about some practical problems or limitations with this reappointment procedure.  As explained to me, our district judges have hand-picked twelve of their most-favored attorneys and civilians for the merit selection panel.  Chief District Judge Blackburn then submitted Mr. Greene’s name to this panel for consideration.  The panel is then asked to make an “objective” recommendation back to the same judges that picked them for service.  I find this disturbingly incestuous.  For one, any person asked to serve on the panel surely already has a cozy relationship with the court and would be highly unlikely to endanger this affinity by voting against its intended nominee.  This procedure recalls Alabama’s Jim Crow era, where our government officials acted out empty theater with fixed or predetermined outcomes.  Also, there is nothing to stop the Northern District from empanelling (the one-sided equivalent of) twelve old, white men.  These panelists could get fifty or a hundred negative letters about a nominee, but still recommend reappointment.  The only check on this important government process would be transparency.  In fact, the Administrative Office of the United States Courts recommends that district courts provide the names of panel members to the public.  Though I imagine most north Alabama attorneys would be interested to know which members of the bar have attained most-favored or insider status with our federal judiciary and which groups were denied a seat at this table, the Northern District refuses to provide these names.  Perhaps for that very reason.  The court also refuses to disclose any comments from the public or the panel’s final recommendation.  This open disdain for oversight and transparency raises bothersome and fundamental questions about how the Northern District prefers to conduct the work of our government.

Finally, most citizens will not be aware of or interested in this process.  Regional attorneys or court staff might be interested, but my intuition is that the majority of letters will anticipate that Mr. Greene will be reappointed and include only empty brown-nosing and ingratiation.  Any “no” uttered with deep conviction should be better than any “yes” merely uttered to please, or worse, to avoid trouble.  Most will be afraid to speak out because – let’s be frank – federal judges have a lot of discretionary power.  My experience with the Northern District shows that several of its judges, including Mr. Greene, may be prone to misusing their authority to strike out at perceived enemies.  I guarantee I’m not the only attorney or citizen in the Northern District who finds that our judicial officials can frequently set a paranoid, malevolent, or vindictive tone.  Any retaliation or defamation directed at me, however, would represent a strike at democracy, the freedom of political discourse, and the promise of a better tomorrow.  Our courts of conscience consistently function on a higher level than our courts of justice.

The merit selection panel should recommend against this reappointment.  The Northern District of Alabama can do a lot better than Paul W. Greene.

More Homegrown Music – The Green Seed

Written by Daniel on August 12th, 2011

So I was clicking around the other day and found this article on MagicCityPost.com.  The only thing truly relevant about it was that it had this embedded video on the page.  It’s by a group called The Green Seed (Myspace), which I’ve mentioned before on Birmingham Verse.

I liked the song and video (by sugartooth) quite a bit, so I thought I’d share.  The concept for the video could’ve been way lame, but I think it works very well.  I wish I’d've seen it earlier.  I still find it so hard to get good information about our homegrown arts and artists.  Who are the best, most reputable sources?

I had a fantasy once – probably from back when I DJed at WEGL – that one day, musicians and bands and artists would actively let me know about their stuff or send it along and – like Prometheus – I would get an opportunity to shepherd the really good stuff through to everybody else.  I, too, have faith in Alabama.  So if anyone wants to send me their good stuff, I’m right here and already crowing.  *whistles*

Preview for the 2011 Sidewalk Film Festival

Written by Daniel on August 5th, 2011

The Sidewalk Film Festival is coming up soon.  August 26-28 to be exact.  When it comes to “cool things to do in Birmingham that I’m surprised more people don’t attend”, this event ranks near the very top of my list.  If you like stuff that is somehow still under the radar, get yourself a ticket and come watch some brand new movies.  Not much feels better than movie theater air conditioning in August Alabama.  The full, interactive 2011 Sidewalk program is available at this link.

I wrote four pieces for the 2010 Film Festival (Preview, Friday, Saturday, and Sunday).  I expect that the staff and screeners at Sidewalk will have wrangled another good group of forward-looking, envelope-pushing, and entertaining cinema in 2011.  At the very least, it’ll be more interesting than Conan the Barbarian.  Here are some preview trailers from this year’s films.  They’re in roughly the order that the trailer itself makes me want to see the movie, but part of the fun is getting to make your own mind up.

  • Page One
  • Holy Rollers: The True Story of Card Counting Christians
  • Sahkanaga
  • The Pruitt-Igoe Myth: An Urban History
  • The Agony and the Ecstacy of Phil Spector
  • Louisiana Fairytale
  • Mary Marie
  • A Bag of Hammers
  • Prairie Love
  • Dragonslayer

Happy Birthday, Wanda June by Altamont Alumni Theater

Written by Daniel on July 22nd, 2011

“Go take a flying fuck at the moon.”

I’m a huge fan of Kurt Vonnegut, so I couldn’t resist going to see one of his few plays – Happy Birthday, Wanda June (1960?  1970?) – as produced by the Altamont Alumni Theater.  I wouldn’t have even known about it, except for Facebook - so I guess the social network is good for at least one thing.  I’m not a marketing expert, but I wish stuff like this could reach a wider audience.  Whatever happened to things like leafletting?

“You know what gets me?  How all the magazines show tits nowadays. . . . How everybody says fuck and shit all the time. . . . How short skirts are. . . . Something very important happened with sex while we were gone.”

I wish more people could’ve seen it, because this play was largely cool, fun, and entertaining.  It wasn’t perfect.  As always, Vonnegut is at his best when he gives you a spoonful of sugar with the medicine.  And I think any live production might should triple-think any use of a strobe light.  But some of the ideas were wonderful, there were lots of funny lines, and the actors were warm and genuine.  Any play with a swing onstage gets extra points.  I especially enjoyed the underplaying but scene-stealing Mike McCraney (Colonel Looseleaf Harper), the peppy, infectious, and expressive Heather Burgess (Wanda June), and the virtually perfect Edward Miller (Major Siegfried von Konigswald).

“One time, we killed a guy with orange juice.”

One reason I’d love if more people went to this kind of show is because theatre is essentially a social activity.  I went with a friend, but I ended up talking to the two women beside me (both related to a cast member), and eavesdropping on the people behind me.  That’s okay – in fact, that’s the point.

“Anybody who’d drop an atom bomb on a city has to be pretty dumb.”

The people in theater are a tight-knit community.  And something like the Altamont Alumni Theater – by its very nature – is essentially a production by and for a particular community.  Community theater.  I even Dodger-ed an early 80s Altamont yearbook during the first intermission and spent some time looking through it for cast members (and found the Dungeons & Dragons club).

“You don’t know what you want.  That’s the way God built you.”

And when you go to a performance – any performance – you become a part of a community.  I, for one, really enjoy listening for the spots where other audience members are inclined to (or not to) laugh.  I like hearing what tickles who.  For those of us who believe that our animals essentially communicate with us through dance, even being a part of a laughing audience can be a valid and meaningful form of intercourse.

“Educating a beautiful woman is like pouring honey into a fine Swiss watch; everything stops. . . . Ideally, the body of a woman should feel like a hot water bottle filled with warm Devonshire cream.”

I know I’m a talker – I’ve been told more than a few times that people could not imagine me staying quiet – so it should come as no surprise that I like to discuss a show afterwards.  Without a steady, I’m often scrambling to find someone to go with.  But I’ve always been surprised how most of my companions seem so eager to move their brains directly onto the next thing as soon as the final curtain goes down.

“The sound of human footsteps is a terrifying sound.”

Okay, that was great.  Guess what happened to me today!  So what are we doing for dinner?  My boss is such a scrogger.  I need to make a call.  Can we go by the drugstore?  Did you see So You Think You Can Dance the other night?

“Never fight a guy when you’re on roller skates.”

I read a poem once about a guy who would walk with his dog.  He would think about the past and the future the whole time, but all the dog worried about was what was happening right now.  I think I’m the dog.  I can’t imagine going to even a half-interesting play or show and not talking about it during and afterwards.  I mean, they’re stimulating and entertaining you on purpose.  They put charismatic and interesting people on stage, trying to give you new ideas, new funny stories to use, and to make you think.  How could someone not talk about it?

“The thrill of smashing something isn’t in the smashing – it’s in the owner’s reaction.”

For what it’s worth, I appreciate the Altamont Alumni Theater picking a Vonnegut piece.  For me, he’s in the top class of influential writers over the past half-century.  I’d love to know if most people just use theater (and dance and TV and movies and the like) just to kill off a couple of hours and space out.  I don’t have great insight into this.  Do most couples go see a play and then immediately start talking about refinancing the mortgage and Uncle Alvarez?  Or am I hanging out with the wrong people?  It doesn’t have to be intellectual or brilliant – I just want to know what you liked and what it made you think, ya know?  If anyone vibrant and talky wants to go see a show with me, let me know.

“We adjust to what there is to adjust to.”

Thanks so much to Hube Dodd, The Altamont School, and the Altamont Alumni Theater for letting me come see their show.

“Welcome to manhood, you little sparrowfart!”

A Midsummer Night’s Dream by the Park Players

Written by Daniel on July 15th, 2011

“Are you sure that we are awake?”

The Park Players scheduled Shakespeare’s A Midsummer Night’s Dream this year.  From the moment it came up on the schedule, I knew I’d want to go see it.

Why?  Because of the value of the organization’s reputation.  I’ve seen several other shows by the Park Players and always have a good time.  (Complete Works, Abridged; Taming of the Shrew; Much Ado About Nothing; and Noises Off.)  There’s no reason to think they wouldn’t do an equally good job of entertaining me or my friends this time around.  And they did.

“I have had a most rare vision.”

Especially fun was the (possibly practical) choice to cast Puck as a girl and the Rude Mechanicals an all-female troupe.  Gina Gioiello (as Puck), Laura Coulter (as Bottom), and Jessica Walston (as Quince) all worked beautifully.  The others in this fine group included Maggie Ballard, Noelle Gunn (and her notably marvelous red shoes), Melissa Halbert, and Sarah Tompkins.

“Well roared, lion!”

I wonder if producers, directors, actors, and others involved in the arts may get so neck-deep in their own community that they might forget what ordinary, uninvolved people are thinking when we’re deciding whether to come out to a show.  For example, the next performance by the Park Players was a play I’d never heard of: A Walk in the Woods by Lee Blessing.  I wasn’t able to make it to that show, but I might should’ve.  The play was nominated for both a Pulitzer Prize and a Tony award.  When it comes to shows (theatre or dance), here’s sorta my thought process in deciding whether to go:

I see an announcement that Group X is doing Show Y.  First, how do I feel about Group X?  Do I know them?  Have I heard of them?  Have I heard good things?  Do they get good PR (on sites like Birmingham Verse)?  If I’ve seen shows by this group in the past, were they fun?  Every show – every date – creates your reputation in the community.

How about Show Y?  Have I heard of it?  Do people say good things?  Does it look lame or cool?  Is it someone’s local pet project?  Have I seen other things by the playwright or creator?  Has it been recognized as good or the best?    Have I seen it before?  Have I seen it produced too many times?

“It is nothing but roaring.”

What’s the content of the show?  Does it look fun?  I would almost always refuse to go see a bleak, four-hour show about how the American government performed unethical radiation experiments on its own disabled and poor.  That is, unless it’s a singalong or done entirely in South Park-ironic blackface or something.  If your materials can’t convince me the show is fun, I won’t be there.  Include some of the jokes or the approximate running time, perhaps?

Where is it?  I pretty much refuse to see anything at the BJCC.  I find it a poor place to see most any show.  On the flip side, at least half the charm of the Park Players is when they perform in Homewood Park.  Do I have to go all the way across town to see it?  For completeness, I know some potential ticket-buyers are terrified to go anywhere near downtown Birmingham at night.  Those people are irrational scaredycats, but it’s a real and noteworthy phenomenon.  Ease some fears; tout CAP or other safety or security.

“Lord, what fools these mortals be.”

How much does it cost?  I can watch a two hour movie virtually for free in the comfort of my own air-conditioning.  I can play two hours of Rock Band for free.  I know that arts organizations need to make money just to break even, but high ticket prices aren’t the way to do it.  Think Walmart: Sell more, for cheaper.  One subtle criteria that I think most organizations overlook is that I’m much more likely to see a show if I think the audience will be full or that everyone else is going to see it.  Everything is more exciting – for the performers, too – with a full house.  Even if it’s the “riff raff” – I absolutely hate to see families in Homewood Park turned away from an introduction to Shakespeare or theatre because they can’t pay the ticket price.  Don’t price to sell 1/2 or 2/3 of your seats.  Price to sell out and turn people away – it creates future demand.

“Tis almost fairy time.”

Will there be babes there?  If it wasn’t for women, men wouldn’t do hardly anything.  Any performance by the Alabama Ballet, for example, has this factor in droves.  Not only are there amazing legs anywhere you look, but they’re rarely shy about some shirtless beefcake fanservice for the ladies.  They know what they’re doing.  Meanwhile, if a show’s only cast is two or three mature, fully-clothed men talking to one another – I’ll be frank – there might be a problem.  Everybody likes looking at pretty girls.  People like to get out and look around.

“I’m as ugly as a bear.”

So ideally, I’d probably get the most excited about seeing a show if:

  • I have a favorable impression of the presenting group
  • I have a favorable impression of the show itself
  • It looks cool and fun
  • The venue is cool, not uncomfortable or inconvenient
  • The price isn’t too high
  • Lots of other people might be there…
  • …including some babes, onstage or in the audience

The hardest part, really, might just be hearing about it at all.  I don’t know the best ways for theatre to market to potential theatre-goers, but I know that even I usually have to go seek it out, even though I’m trying my best to keep up with it.  Find ways to get it out there!

“Thou art translated.”

Cheers to Clay Boyce and the rest of the Park Players for keeping up this cool, fun, annual tradition.